When last we left Alfred Smith he had undergone the nanotechnology/stem cell procedure, and was rejuvenated.
Appearing thirtiesh now–Lou Seaford had convinced Al that his only chance of retaining control of his motion picture studio was to pose as his own son. The identity shift came with some unexpected complications when Al’s daughter Victoria refused to accept the ruse, and she set out on a Jihad of sorts to locate her missing father.
Meanwhile, the deal with Seaford plows forward. His hundred-million-dollar terror-exploitation film is coming together in bits and pieces.
Al also had quite an unexpected encounter with Seaford’s protégé, Katya Stone, and another odd incident that remains unexplainable in the elevator.