My work explores the relationship between gender politics and counter-terrorism.
With influences as diverse as Kafka and Miles Davis, new combinations are manufactured from both explicit and implicit dialogues.
Ever since I was a student I have been fascinated by the traditional understanding of the moment. What starts out as hope soon becomes manipulated into a dialectic of greed, leaving only a sense of dread and the inevitability of a new reality.
As shifting forms become transformed through diligent and personal practice, the viewer is left with a hymn to the edges of our condition.
There’s no way to customize the inputs. It could use a tweak or two to put it over the top.
Actors could also use a version for their Behind the Scenes videos. They usually come up with how “human” the story is and the depths of the “human experience,” in case we suspected they might be gerbils in costume.